The mind creates a portrait of the past, but memory has a paintbrush, not a camera. As such it is inherently inaccurate.
Is it any wonder that there are few descriptions of “harrowing victory” in the annals of competitive history? In the same way is it any wonder that there are few memories of a “brilliant, jubilant defeat?” The pixels of light and darkness captured in the mind’s eye are filled with the pallet of color of the results – hence the memories of winning somehow pull from the yellows and golds, success and color implying a relatively easier effort, while the losses are inevitably painted with the charcoals of those chiaroscuro efforts – blackened, brutish, pain and disappointment closely linked.
I choose to repaint this race differently. No – I didn’t win - but I did finish. And in so doing what I did accomplish was a unique mastery of the instrument of my body. For over two hours, I played it like the first violinist – drawing out of it with every lash of the straight bow every possible note, every emotion, every tremble of resonance the space of ribs and air and bones was capable of producing.
In the end was it all meaningless? A black deep hole – a fissure to the worst unknowns? Or was there transcendence in the agony I endured? Did I learn something so raw and true about myself that I’ll be describing it for decades? I don’t really know to be honest – more than two months later as I write this and I still feel as though I’m clawing my way out of that black crevasse, that hallowed and horrifying yet blindingly brilliant 2 hours and 10 minutes I spent at the edge of sanity and consciousness.